SF Signal hat mit Mind Meld eine regelmässige Kolumne in der bekannte Persönlichkeiten aus dem Genre zu einem spezifischen Thema befragt werden, diese Woche mit Allen Steele, Kristine Kathryn Rusch, Paul McAuley, Peter F. Hamilton, Philip Palmer und andere zu den besten Space Operas:
Q: What are some of the best space opera books? What makes them so good?
Meine persönlichen Favouriten, Iain M. Banks und Dan Simmons fehlen natürlich nicht.
SF Signal hat mit Mind Meld eine regelmässige Kolumne in der bekannte Persönlichkeiten aus dem Genre zu einem spezifischen Thema befragt werden, diese Woche mit Allen Steele, Kristine Kathryn Rusch, Paul McAuley, Peter F. Hamilton, Philip Palmer und andere zu den besten Space Operas:
Q: What are some of the best space opera books? What makes them so good?
Meine persönlichen Favouriten, Iain M. Banks und Dan Simmons fehlen natürlich nicht.
Ein guter Artikel von Brit Mandelo über Homophobie/Heterosexistismus in der spekulativen Literatur auf tor.com, mit einer Anleitung für heterosexuelle Autoren wie queere Sexszenen geschrieben werden können:
Writing Sex—To Do, or Not to Do?
The foremost concern, that an explicit queer sex scene will automatically make certain readers not buy your book, has an unfortunately strong basis. Discussion of one of the examples I use frequently, Richard K. Morgan’s The Steel Remains, is a case in point: many reviewers and commentators, as well as commenters here, expressed the sentiment that they would not ever pick up the book because they didn’t want to see the gay sex in it.
…
I hate this argument to not read a book, unless the reader chooses to never read a book with sexual content at all ever. I think it’s generous to say that 90% of speculative fiction is about straight characters, many of whom have sex with other straight characters in varying degrees of explicitness.
And you know what? Queer people read those books, and most aren’t particularly excited by those straight sex scenes—but if they’re in a good book, what’s the problem? It’s part of the characters and their relationships. The point of sex in speculative fiction is not solely to be an erotic experience for the reader. If the entire turning point of a reader picking up a book is how titillating they personally find the sex in it, I suspect they should be reading erotica, not speculative fiction. If a queer person reads straight sex in a good book, why won’t a straight person read queer sex in a good book?
The excuse that a book isn’t worth reading solely because it contains queer sex is homophobic. Cushion it however one may, it is. The fear and disgust that motivates a reader to avoid a book about a queer character has a definitive root, and it isn’t prudishness.
Ein guter Artikel von Brit Mandelo über Homophobie/Heterosexistismus in der spekulativen Literatur auf tor.com, mit einer Anleitung für heterosexuelle Autoren wie queere Sexszenen geschrieben werden können:
Writing Sex—To Do, or Not to Do?
The foremost concern, that an explicit queer sex scene will automatically make certain readers not buy your book, has an unfortunately strong basis. Discussion of one of the examples I use frequently, Richard K. Morgan’s The Steel Remains, is a case in point: many reviewers and commentators, as well as commenters here, expressed the sentiment that they would not ever pick up the book because they didn’t want to see the gay sex in it.
…
I hate this argument to not read a book, unless the reader chooses to never read a book with sexual content at all ever. I think it’s generous to say that 90% of speculative fiction is about straight characters, many of whom have sex with other straight characters in varying degrees of explicitness.
And you know wha
Warum, oh warum nur? Mit tausenden von geeigneten Science Fiction Büchern und Kurzgeschichten die nur darauf warten verfilmt zu werden, fällt denen nichts besseres ein als geliebte Klassiker mit Kopf-, und Augenschschmerz verursachenden 3D Sperenzchen zu verwursten.

Via /film:
Last week it was revealed that commercial director and Ridley Scott protege Carl Erik Rinsch is in talks to direct a remake of Logan’s Run for Warner Bros/Joel Silver. MTV got a chance to talk to Silver who was promoting Splice this week, and the mega-producer confirms that the upcoming remake is being developed as a 3D movie, and should be shot with 3D cameras.
“I’d like to make ‘Logan’s Run’ [in 3-D],” he said. “It’s a movie I’ve always been intrigued with, excited by. We’re writing a script now and that should be a big 3-D movie and it should be devised and shot in 3-D. I think if we can pull it together, then it would be.”
Warum, oh warum nur? Mit tausenden von geeigneten Science Fiction Büchern und Kurzgeschichten die nur darauf warten verfilmt zu werden, fällt denen nichts besseres ein als geliebte Klassiker mit Kopf-, und Augenschschmerz verursachenden 3D Sperenzchen zu verwursten.
Via /film:
Last week it was revealed that commercial director and Ridley Scott protege Carl Erik Rinsch is in talks to direct a remake of Logan’s Run for Warner Bros/Joel Silver. MTV got a chance to talk to Silver who was promoting Splice this week, and the mega-producer confirms that the upcoming remake is being developed as a 3D movie, and should be shot with 3D cameras.
“I’d like to make ‘Logan’s Run’ [in 3-D],” he said. “It’s a movie I’ve always been intrigued with, excited by. We’re writing a script now and that should be a big 3-D movie and it should be devised and shot in 3-D. I think if we can pull it together, then it would be.”
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